Heritage Lottery FundedBetween 2017 and 2023 there was a permanent exhibition of vintage Arthur Ransome photographs at the Pin Mill Studio, depicting the building of Selina King at Harry King’s boatyard in 1938.

The exhibition was created by the Nancy Blackett Trust in collaboration with professional photographer Anthony Cullen, and funded by the Heritage Lottery Fund.

About the Exhibition

In 1938 Arthur Ransome decided to build himself a new yacht, and also saw the opportunity of a book in it. He chronicled the build and the launch with a series of photographs, as well as writing up specific episodes.

Some of the Arthur Ransome photographs on display at the Selina King Exhibition at Pin Mill. Photo: Anthony Cullen.

Some of the Arthur Ransome photographs on display at the Selina King Exhibition at Pin Mill. Photo: Anthony Cullen.

The boat, the successor to his Nancy Blackett, was named Selina King, and proved to be the largest and finest of the various yachts he owned in his lifetime. She was built at Harry King’s Pin Mill yard and launched in September 1938, but sadly he only got a season’s sailing with her.

Exactly a year later she was laid-up in Oulton Broad for the duration of World War 2. By the time the war was over, Ransome’s health had deteriorated. His doctor advised him she would be too heavy for him the handle, and, reluctantly, he sold her.

Evgenia Ransome at Pin Mill, 1938. Photo: Arthur Ransome/The Arthur Ransome Literary Estate/Special Collections, Leeds University Library.

Evgenia Ransome at Pin Mill, 1938. Photo: Arthur Ransome/The Arthur Ransome Literary Estate/Special Collections, Leeds University Library.

He also abandoned the proposed book, but the photos were found among the Ransome archive at Leeds University Library. There are about 60 of them, in black-and-white, and very small – about the size of an old cigarette card.

For the 2017 Arthur Ransome anniversaries the Nancy Blackett Trust, in collaboration with Pin Mill photographic expert Anthony Cullen – and with the help of a Heritage Lottery Fund grant – set out to enlarge a selection of the photos for a permanent exhibition at Anthony’s Pin Mill Studio. The exhibition opened in May.

Visitors to the Selina King Exhibition during the 2017 Arthur Ransome Pin Mill Jamboree. Photo: Peter Willis.

Visitors to the Selina King Exhibition during the 2017 Arthur Ransome Pin Mill Jamboree. Photo: Peter Willis.

From high-resolution digital scans, Anthony has cleaned up the images, and revealed the amount of information embedded in each one. “Ransome must have had a camera with a very good lens,” Anthony comments. “He also had a very good eye for composing an image.” The result is a series of 24 images, of A2 size, telling the story of pre-war boat-building at Harry King’s, through the progress of constructing Selina King.

Anthony has also created two very large transparencies on movable frames which can, on occasion, be located at their original viewpoints to show how little Pin Mill has changed over the last 80 years.

A framed transparency of an Arthur Ransome photo on location at Pin Mill. Photo: Anthony Cullen.

A framed transparency of an Arthur Ransome photo on location at Pin Mill. Photo: Anthony Cullen.

Visiting the Exhibition

The exhibition is now closed. The photos are currently in storage with the Nancy Blackett Trust pending new opportunities for public display.

Header photo: Selina King at Pin Mill, 1938. Photo: Arthur Ransome/ The Arthur Ransome Literary Estate/Special Collections, Leeds University Library.